Misses Elizabethan costumes Simplicity sewing pattern 3782, part of Simplicity Early Summer 2007 collection. Pattern for 2 looks. For sizes RR (14-16-18-20). Read more
It is generally assumed that the military reforms which propelled Russia into the modern world were due solely to the genius of Peter the Great. In fact, his reforms were built upon changes that had taken place during the previous 200 years, since the creation in 1550 of Russia's first full-time military force (the streltsi) by Ivan IV the Terrible. This account traces Russia's armies from that beginning, through the creation of paid regular regiments from1630, up to the reign of Peter the Great. It is illustrated with rare early drawings, photos of surviving artifacts, and dazzling colour reconstructions of exotic military costumes. Read more
This definitive biography of Anne Boleyn establishes her as a figure of considerable importance and influence in her own right.
I like her not!' was the verdict of Henry VIII on meeting his fourth wife, Anne of Cleves, for the first time. Anne could have said something similar on meeting Henry and, having been promised the most handsome prince in Europe, she was destined to be disappointed in the elderly and corpulent king. Henry also felt that Anne was not as she had been described, complaining that he had been sent a 'Flander's mare'.
Forced to proceed with their wedding for diplomatic reasons, Henry and Anne tried to make the best of the situation, but attempts to consummate the match were farcical. After only seven months of marriage Henry was so desperate to rid himself of Anne that he declared himself impotent in order to secure a divorce. Anne was also eager to end her marriage and, with her clever handling of Henry obtained one of the biggest divorce settlements in English history. Following her divorce, Anne made good use of her many properties, including Richmond Palace, Hever Castle and the house at Lewes now known as 'Anne of Cleves' House'. Anne of Cleves is often portrayed as a stupid and comical figure. The real Anne was both intelligent and practical, ensuring that, whilst she was queen for the shortest period, she was the last of all Henry VIII's wives to survive. Henry's chief minister, Thomas Cromwell lost his head for his role in the Cleves marriage, but Anne's shrewdness ensured she kept hers. Anne of Cleves led a dramatic and often dangerous life but, for all this, of Henry VIII's six wives, she is truly the wife that survived. Read more
Galileo Galilei's telescopes allowed him to discover a new reality in the heavens. But for publicly declaring his astounding argument--that the earth revolves around the sun--he was accused of heresy and put under house arrest by the Holy Office of the Inquisition. Living a far different life, Galileo's daughter Virginia, a cloistered nun, proved to be her father's greatest source of strength through the difficult years of his trial and persecution.
Drawing upon the remarkable surviving letters that Virginia wrote to her father, Dava Sobel has written a fascinating history of Medici--era Italy, a mesmerizing account of Galileo's scientific discoveries and his trial by Church authorities, and a touching portrayal of a father--daughter relationship. Galileo's Daughter is a profoundly moving portrait of the man who forever changed the way we see the universe.
• Winner of the Christopher Award and a finalist for the Los Angeles Times Book Award
• Named a Notable Book of the Year by the New York Times, Entertainment Weekly, Esquire, and the American Library AssociationEveryone knows that Galileo Galilei dropped cannonballs off the leaning tower of Pisa, developed the first reliable telescope, and was convicted by the Inquisition for holding a heretical belief--that the earth revolved around the sun. But did you know he had a daughter? In Galileo's Daughter, Dava Sobel (author of the bestselling Longitude) tells the story of the famous scientist and his illegitimate daughter, Sister Maria Celeste. Sobel bases her book on 124 surviving letters to the scientist from the nun, whom Galileo described as "a woman of exquisite mind, singular goodness, and tenderly attached to me." Their loving correspondence revealed much about their world: the agonies of the bubonic plague, the hardships of monastic life, even Galileo's occasional forgetfulness ("The little basket, which I sent you recently with several pastries, is not mine, and therefore I wish you to return it to me").
While Galileo tangled with the Church, Maria Celeste--whose adopted name was a tribute to her father's fascination with the heavens--provided moral and emotional support with her frequent letters, approving of his work because she knew the depth of his faith. As Sobel notes, "It is difficult today ... to see the Earth at the center of the Universe. Yet that is where Galileo found it." With her fluid prose and graceful turn of phrase, Sobel breathes life into Galileo, his daughter, and the earth-centered world in which they lived. --Sunny Delaney Read more
The first ever biography of Jane Seymour, Henry VIII's third wife, who died in childbirth giving the king what he craved most - a son and heir.
First biography to show the real Jane Seymour; she may have been submissive and obedient in front of Henry, but her true personality was far more cutthroat. Despite the huge interest in the wives of Henry VIII - most of his wives are the subject of at least two books - Jane has none.Jane Seymour is often portrayed as meek and mild and as the most successful, but one of the least significant, of Henry VIII's wives. The real Jane was a very different character, demure and submissive yet with a ruthless streak - as Anne Boleyn was being tried for treason, Jane was choosing her wedding dress. From the lowliest origins of any of Henry's wives, her rise shows an ambition every bit as great as Anne's.Elizabeth Norton tells the thrilling life of a country girl from rural Wiltshire who rose to the throne of England and became the ideal Tudor woman. Read more
The market-leading text for the art history survey course, GARDNER'S ART THROUGH THE AGES has served as a comprehensive and thoughtfully crafted guide to the defining phases of the world's artistic tradition. With this book in hand, thousands of students have watched the story of art unfold in its full historical, social, religious, economic, and cultural context, and thus deepened their understanding of art, architecture, painting, and sculpture. By virtue of its comprehensive coverage, strong emphasis on context, and rich, accurate art reproductions, GARDNER'S ART THROUGH THE AGES has earned and sustained a reputation of excellence and authority. So much so, that in 2001, the Text and Academic Authors Association awarded both the McGuffey and the "Texty" Book Prizes to the Eleventh Edition of the text. It is the first art history book to win either award and the only title ever to win both prizes in one year. The Twelfth Edition maintains and exceeds the richness of the Gardner legacy with updated research and scholarship and an even more beautiful art program featuring more color images than any other art history book available. The Twelfth Edition features such enhancements as more color photographs, a stunning new design, and the most current research and scholarship. What's more, the expanded ancillary package that accompanies GARDNER'S ART THROUGH THE AGES, features a wealth of tools to enhance your students' experience in the course. With each new copy of the book, students receive a copy of the ArtStudy 2.0 CD-ROM--an interactive electronic study aid that fully integrates with the Twelfth Edition and includes hundreds of high-quality digital images, plus maps, quizzes, and more. Read more
King John the Good of France was captured by the English at the battle of Poitiers in 1356; his 14-year-old son Philip fought valiantly by his side until the bitter end, and as soon as he was in a position to do so, King John rewarded his son's courage and devotion by designating him Duke of Burgundy, a title that by chance had just become extinct. Philip was the first of the Valois Dukes of Burgundy and this fascinating text by Nicholas Michael examines the functioning and organisation of the Burgundian armies from the beginning of his reign until the time of the last of the Valois Dukes; Charles the Bold. Read more
The Stuarts begins with James VI of Scotland, who inherited the crown through his mother, Margaret Tudor, and ends in 1714, with the reign of Queen Anne, whose thirteen children all tragically predeceased her, thus ending the Stuart line.
About the series A Royal History of England:
From the beginning of monarchical power in Norman times to the present queen, the British royal family has experienced many scandals, triumphs, and changes in public image, but few of their reigns can be described as uneventful. With contributions by specialist authors and contemporary illustrations of royal heraldry and coats of arms, Antonia Fraser has edited a definitive and entertaining history of one of the most powerful monarchies in the world. Read more
*Artist: NORTH,NIGEL *Genre: Classical Music *Release Date: 20-JUN-2006 Read more
My lady, Fiammetta Bianchini, was plucking her eyebrows and biting color into her lips when the unthinkable happened and the Holy Roman Emperor’s army blew a hole in the wall of God’s eternal city, letting in a flood of half-starved, half-crazed troops bent on pillage and punishment.
Thus begins In the Company of the Courtesan, Sarah Dunant’s epic novel of life in Renaissance Italy. Escaping the sack of Rome in 1527, with their stomachs churning on the jewels they have swallowed, the courtesan Fiammetta and her dwarf companion, Bucino, head for Venice, the shimmering city born out of water to become a miracle of east-west trade: rich and rancid, pious and profitable, beautiful and squalid.
With a mix of courage and cunning they infiltrate Venetian society. Together they make the perfect partnership: the sharp-tongued, sharp-witted dwarf, and his vibrant mistress, trained from birth to charm, entertain, and satisfy men who have the money to support her.
Yet as their fortunes rise, this perfect partnership comes under threat, from the searing passion of a lover who wants more than his allotted nights to the attentions of an admiring Turk in search of human novelties for his sultan’s court. But Fiammetta and Bucino’s greatest challenge comes from a young crippled woman, a blind healer who insinuates herself into their lives and hearts with devastating consequences for them all.
A story of desire and deception, sin and religion, loyalty and friendship, In the Company of the Courtesan paints a portrait of one of the world’s greatest cities at its most potent moment in history: It is a picture that remains vivid long after the final page.
From the Hardcover edition. Read more
In 1508, despite strong advice to the contrary, the powerful Pope Julius II commissioned Michelangelo to paint the ceiling of the newly restored Sistine Chapel. With little experience as a painter (though famed for his sculpture David), Michelangelo was reluctant to begin the massive project.
Michelangelo and the Pope's Ceiling recounts the four extraordinary years Michelangelo spent laboring over the vast ceiling while the power politics and personal rivalries that abounded in Rome swirled around him. Battling against ill health, financial difficulties, domestic problems, the pope's impatience, and a bitter rivalry with the brilliant young painter Raphael, Michelangelo created scenes so beautiful that they are considered one of the greatest masterpieces of all time. A panorama of illustrious figures converged around the creation of this great work-from the great Dutch scholar Desiderius Erasmus to the young Martin Luther-and Ross King skillfully weaves them through his compelling historical narrative, offering uncommon insight into the intersection of art and history.Almost 500 years after Michelangelo Buonarroti frescoed the ceiling of the Sistine Chapel in Rome, the site still attracts throngs of visitors and is considered one of the artistic masterpieces of the world. Michelangelo and the Pope’s Ceiling unveils the story behind the art's making, a story rife with all the drama of a modern-day soap opera.
The temperament of the day was dictated by the politics of the papal court, a corrupt and powerful office steeped in controversy; Pope Julius II even had a nickname, "Il Papa Terrible," to prove it. Along with his violent outbursts and warmongering, Pope Julius II took upon himself to restore the Sistine Chapel and pretty much intimidated Michelangelo into painting the ceiling even though the artist considered himself primarily a sculptor and was particularly unfamiliar with the temperamental art of fresco. Along with technical difficulties, personality conflicts, and money troubles, Michelangelo was plagued by health problems and competition in the form of the dashing and talented young painter Raphael.
Author Ross King offers an in-depth analysis of the complex historical background that led to the magnificence that is the Sistine Chapel ceiling along with detailed discussion of some of the ceiling’s panels. King provides fabulous tidbits of information and weaves together a fascinating historical tale. --J.P. Cohen Read more
Academy Award-winners Cate Blanchett, Geoffrey Rush and Richard Attenborough lead a distinguished cast in Elizabeth - the critically acclaimed epic of the Queen's turbulent and treacherous rise to power! Before the Golden Age, Elizabeth was a passionate and naïve girl who came to reign over a land divided by bloody turmoil. Amidst palace intrigues and attempted assassinations, the young Queen is forced to become a cunning strategist while weighing the counsel of her mysterious advisors, thwarting her devious rivals, and denying her own desires for the good of her country. Relive the majesty and drama of one of history's greatest monarchs in this stunning production that was honored with 7 Academy Award nominations including Best Picture!
One of the big Elizabethan-era films of 1998, Shekhar Kapur's Elizabeth serves up a brimming goblet of religious tension, political conspiracy, sex, violence, and war. England in 1554 is in financial and religious turmoil as the ailing Queen "Bloody" Mary attempts to restore Catholicism as the national faith. She has no heir, and her greatest fear--that her Protestant half-sister Elizabeth will assume the throne after her death--is realized. Still, the late Queen Mary has her loyalists. The newly crowned Elizabeth finds herself knee-deep in dethroning schemes while also dodging assassination attempts. Her advisers (including Sir William Cecil, superbly played by Richard Attenborough) beg her to marry any one of her would-be suitors to stabilize England's empire. No matter that she already has a lover. The passionate Robert Dudley (Joseph Fiennes) is married, however, and shows he cannot stand up to the growing strength of the Queen. With the help of her aide Walsingham (Geoffrey Rush), Elizabeth strikes against her enemies before they get to her first. But her rise ultimately entails rejecting love and marriage to redefine herself as the indisputable Virgin Queen.
Cate Blanchett's Oscar-nominated performance as the naive and vibrant princess who becomes the stubborn and knowing queen is both severe and sympathetic. Her ethereal, pale beauty is equal parts fire and ice, her delivery of such lines as "There will be only one mistress here and no master!" expressed with command rather than hysterics. As striking as Blanchett's performance is the film's lavish and dramatic production design. The cold, dark sets paired with the lush costuming show the golden age of England's monarchy emerging from the Middle Ages. Rich velvet brushes over the dank stones while power is achieved at any price, and with such attention to physical detail, Elizabeth fully immerses you into its compelling chronicle of pioneering feminism and revisionist history. --Shannon Gee
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Ever wished you had an easy and fun way to retain the history of The Renaissance? “The Renaissance 101: The TextVook” is the newest, most enjoyable way to absorb the facts and make them stick. This Vook presents The Renaissance in an easy-to-follow format, combining text and video. Get smart, quickly - download it now!
The Renaissance spread like wildfire throughout Europe and forever changed the way people lived and viewed the world. In “The Renaissance 101: The TextVook,” Dr. Vook, Ph.D, breaks this cultural new wave down into eight chapters that will keep you engaged and help you remember all that you’ve learned. Dive into the formation of a new artistic, scientific, religious, and intellectual model. Join the great figures of the Renaissance: Machiavelli, da Vinci, the Medici families, Shakespeare, and more as Western Europe rediscovers the achievements and beauty of antiquity.
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StingÂ’s Songs From The Labyrinth is an album of 17th century music composed by John Dowland and performed on the lute, an ancient acoustic guitar. After being given a lute nearly two years ago as a gift, Sting became fascinated and immersed himself with the instrument and the history of lute music. Reminded of his almost 25 year long enthrallment with the works of John Dowland, the Elizabethan composer who wrote songs for the lute, Sting has recorded a new album of vocal and lute music. All songs were composed by Dowland in the 17th century, but have been given new life in these fresh new recordings by Sting. Sting not only sings all the songs (accompanied by leading lutenist Edin Karamasov, who appears on two Andreas Scholl albums), but also plays lute on two instrumental duets with Edin and reads short extracts from a fascinating autobiographical letter by Dowland. Sting has also written a brilliant account of the album's genesis, along with notes on the individual tracks, which serves as the CD booklet. In choosing to cover the music of John Dowland (1563-1626), who is known as the "melancholy madrigalist" from his output of cheerful ditties like "Flow My Tears," Police bandleader Sting has entered into a whole new realm of austere eeriness. Originally inspired by the gift of a lute, the rock superstar and activist sings the songs, deliciously sweet and tender or spirited by turn, accompanying himself, with Edin Karamazov sitting on lute and archlute. For listeners accustomed to hearing material of this period interpreted by rigorously trained early music stylists, especially countertenors and the like, Sting's sometimes tight-jawed, chest-heavy vocals may seem amateurish. It's undeniable that in four-part harmonies, the singer, tightly overdubbed, comes across like a combination of the Swingle Singers and Queen (meaning Freddy Mercury and crew, NOT the first Elizabeth). But it's important to remember that music of this period was routinely heard as a casual diversion in private homes, even more often than at Court. It was considered a crucial social skill to be able to join in with an adequate degree of skill, but not everyone was able to negotiate the perilous melodic twists and turns typical of the era's music. With this in mind, the overall effect is of a candle-lit, postprandial entertainment in the home of an English gentleman. Muttered readings from Dowland's letters and brief snippets of sampled birdsong aside, it is a courageous effort, displaying heartfelt admiration for the composer and a considerable degree of earnest charm. --Christina Roden Read more
"The Renaissance: A Brief History" presents a comprehensive look at the cultural wave in a compact, interactive format.
This digital compendium serves as a reference to the triggers and evolution of The Renaissance from its great minds and discoveries to its artistic contributions. Engaging and succinct text captures the essence of the movement.
You’ll gain valuable insight into the Renaissance's:
...and more.
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One of the largest states in Europe and the greatest of the Protestant powers, Denmark in the sixteenth and seventeenth centuries was at the height of its influence. Embracing Norway, Iceland, portions of southern Sweden and northern Germany, the Danish monarchy dominated the vital Baltic trade. However, its geopolitical importance far exceeded its modest resources. Paul Douglas Lockhart examines the short and perhaps unlikely career of Denmark as the major power of northern Europe, exploring its rise to the forefront of European affairs and its subsequent decline in fortunes following its disastrous involvement in the Thirty Years' War.
Using the latest research from Danish and other Scandinavian scholars Lockhart focuses on key issues, from the dynamic role of the Oldenburg monarchy in bringing about Denmark's "European integration", to the impact of the Protestant Reformation on Danish culture. The multi-national character of the Danish monarchy is explored in-depth, in particular how the Oldenburg kings of Denmark sought to establish their authority over their sizable-and oftentimes contentious-Norwegian, Icelandic, and German minorities. Denmark's participation in international politics and commerce is also investigated, along with the power struggle between Denmark and its rival Sweden over Baltic dominion, and the Danes' unique approach to internal governance. Read more
In Murder of a Medici Princess, Caroline Murphy illuminates the brilliant life and tragic death of Isabella de Medici, one of the brightest stars in the dazzling world of Renaissance Italy, the daughter of Duke Cosimo I, ruler of Florence and Tuscany.
Murphy is a superb storyteller, and her fast-paced narrative captures the intrigue, the scandal, the romantic affairs, and the violence that were commonplace in the Florentine court. She brings to life an extraordinary woman, fluent in five languages, a free-spirited patron of the arts, a daredevil, a practical joker, and a passionate lover. Isabella, in fact, conducted numerous affairs, including a ten-year relationship with the cousin of her violent and possessive husband. Her permissive lifestyle, however, came to an end upon the death of her father, who was succeeded by her disapproving older brother Francesco. Considering Isabella's ways to be licentious and a disgrace upon the family, he permitted her increasingly enraged husband to murder her in a remote Medici villa. To tell this dramatic story, Murphy draws on a vast trove of newly discovered and unpublished documents, ranging from Isabella's own letters, to the loose-tongued dispatches of ambassadors to Florence, to contemporary descriptions of the opulent parties and balls, salons and hunts in which Isabella and her associates participated. Murphy resurrects the exciting atmosphere of Renaissance Florence, weaving Isabella's beloved city into her story, evoking the intellectual and artistic community that thrived during her time. Palaces and gardens in the city become places of creativity and intrigue, sites of seduction, and grounds for betrayal.
Here then is a narrative of compelling and epic proportions, magnificent and alluring, decadent and ultimately tragic.
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Mercenaries were a common feature throughout most of Europe in the 14th and 15th centuries, and had been known far earlier. But nowhere did such a sophisticated system of hiring, payment and organisation of mercenaries develop as it did in Italy. The condottiere – whose name came from the condotta or contract between himself and his employer – was the result. Whether commander or humble trooper, the condottiere was a complete professional. His skill has never been doubted, but his loyalty and dedication to a particular cause often has. David Nicolle provides a fascinating exploration of the condottiere; his roles, arms and equipment. Read more
Legends of the Sibilline Mountains is a small book about an obscure corner of Italy and an equally obscure backwater of world literature. And yet the subjects it touches upon--amongst them, the roots of literature in popular consciousness, the intimations of Christian existentialism, the absorption of pagan traditions into Christianity--reach far and wide. Goddess worship, necromantic rites, the death of Pontius Pilate, Benevenuto Cellini, Goethe's "Faust" Wagner's "Tannhauser"...they all connect here in a real place of strange geological formations and magical beauty. The Sibilline Mountains, dividing Le Marche from Umbria, were "celebrated in the 14th and 15th centuries throughout all Europe for magical fairytales and necromantic initiations," according to the author Giuseppe Santarelli. In the most famous of these tales a mysterious Sibyl inhabits a grotto devoted to the pleasures of the flesh, luring knights to eternal damnation. Another legend concerns the Lago di Pilato, a mountaintop lake where Pontius Pilate's body had been cast, that later became a destination for demonic rituals. In a witty and personal tone Santarelli discusses the origins of the myths in folklore, their literary transformations through the centuries, and the archeological traces they left behind. This is the first English translation Read more
With the exception of the key royal sites, such as Stirling and Edinburgh, few Scottish castles were located at strategic points, or were intended to house garrisons required to defend or subjugate towns. Instead they were primarily fortified dwelling houses, erected in an environment of weak Royal authority and endemic feuding between rival clans and groups, in both Highland and Lowland areas. Although some enceinte castles were developed during the 16th and 17th centuries, most defensive construction focused on the tower house, a distinctive vernacular style of Scottish fortification. This book examines the design, development, and purpose of these quintessentially Scottish buildings, and also covers larger sites such as Urquhart and Blackness. Read more
Ross King has a knack for explaining complicated processes in a manner that is not only lucid but downright intriguing. . . . Fascinating." (Los Angeles Times)
By all accounts, Filippo Brunelleschi, goldsmith and clockmaker, was an unkempt, cantankerous, and suspicious man-even by the generous standards according to which artists were judged in fifteenth-century Florence. He also designed and erected a dome over the cathedral of Santa Maria del Fiore-a feat of architectural daring that we continue to marvel at today-thus securing himself a place among the most formidable geniuses of the Renaissance. At first denounced as a madman, Brunelleschi literally reinvented the field of architecture amid plagues, wars, and political feuds to raise seventy million pounds of metal, wood, and marble hundreds of feet in the air. Ross King's captivating narrative brings to life the personalities and intrigue surrounding the twenty-eight-year-long construction of the dome, opening a window onto Florentine life during one of history's most fascinating eras.Filippo Brunelleschi's design for the dome of the cathedral of Santa Maria del Fiore in Florence remains one of the most towering achievements of Renaissance architecture. Completed in 1436, the dome remains a remarkable feat of design and engineering. Its span of more than 140 feet exceeds St Paul's in London and St Peter's in Rome, and even outdoes the Capitol in Washington, D.C., making it the largest dome ever constructed using bricks and mortar. The story of its creation and its brilliant but "hot-tempered" creator is told in Ross King's delightful Brunelleschi's Dome.
Both dome and architect offer King plenty of rich material. The story of the dome goes back to 1296, when work began on the cathedral, but it was only in 1420, when Brunelleschi won a competition over his bitter rival Lorenzo Ghiberti to design the daunting cupola, that work began in earnest. King weaves an engrossing tale from the political intrigue, personal jealousies, dramatic setbacks, and sheer inventive brilliance that led to the paranoid Filippo, "who was so proud of his inventions and so fearful of plagiarism," finally seeing his dome completed only months before his death. King argues that it was Brunelleschi's improvised brilliance in solving the problem of suspending the enormous cupola in bricks and mortar (painstakingly detailed with precise illustrations) that led him to "succeed in performing an engineering feat whose structural daring was without parallel." He tells a compelling, informed story, ranging from discussions of the construction of the bricks, mortar, and marble that made up the dome, to its subsequent use as a scientific instrument by the Florentine astronomer Paolo Toscanelli. --Jerry Brotton, Amazon.co.uk Read more
The year is 1570, and in the convent of Santa Caterina, in the Italian city of Ferrara, noblewomen find space to pursue their lives under God’s protection. But any community, however smoothly run, suffers tremors when it takes in someone by force. And the arrival of Santa Caterina’s new novice sets in motion a chain of events that will shake the convent to its core.
Ripped by her family from an illicit love affair, sixteen-year-old Serafina is willful, emotional, sharp, and defiant–young enough to have a life to look forward to and old enough to know when that life is being cut short. Her first night inside the walls is spent in an incandescent rage so violent that the dispensary mistress, Suora Zuana, is dispatched to the girl’s cell to sedate her. Thus begins a complex relationship of trust and betrayal between the young rebel and the clever, scholarly nun, for whom the girl becomes the daughter she will never have.
As Serafina rails against her incarceration, others are drawn into the drama: the ancient, mysterious Suora Magdalena–with her history of visions and ecstasies–locked in her cell; the ferociously devout novice mistress Suora Umiliana, who comes to see in the postulant a way to extend her influence; and, watching it all, the abbess, Madonna Chiara, a woman as fluent in politics as she is in prayer. As disorder and rebellion mount, it is the abbess’s job to keep the convent stable while, outside its walls, the dictates of the Counter-Reformation begin to purge the Catholic Church and impose on the nunneries a regime of terrible oppression.
Sarah Dunant, the bestselling author of The Birth of Venus and In the Company of the Courtesan, brings this intricate Renaissance world compellingly to life. Amid Sacred Hearts is a rich, engrossing, multifaceted love story, encompassing the passions of the flesh, the exultation of the spirit, and the deep, enduring power of friendship. Read more
In the last years of his reign Henry VIII needed a radically modern system of defense to protect England and its newly Protestant Church. Anticipating a foreign onslaught from Catholic Europe after his split from Rome, Henry energetically began the construction of more than 20 stone forts to protect England's major ports and estuaries, whilst modernizing existing fortresses from Hull to Milford Haven. The majority of this was paid for with his new-found fortune plundered from the monasteries, allowing Henry to employ a strong workforce well supplied with materials.
Aided by excellent full-color illustrations and a range of photographs and diagrams, Peter Harrington explores the departure from artillery-vulnerable medieval castle designs to the low, sturdy stone fortresses inspired by European ideas. He explains the scientific care taken to select sites for these castles, and the transition from medieval to modern in this final surge of English castle construction. With many of these fortifications still standing today, this is an ideal book for fortification enthusiasts and tourists alike. Read more
The Hour Glass Witch is a Romantic Altered History Time Travel Tale with a splash of Greek Myth.
Travel back to the Salem Witch Hunt when a wicked glance could have you hanging from the gallows, convicted of lustful witchcraft! Accused of being a witch, Clio, the Muse of History is thrown in prison by a former lover from another life. To escape the gallows, she flees back in time, to the Italian Renaissance, where she becomes a courtesan for a famous Italian painter, living a life of luxury while pining for her lost love. Her favorite god and good friend, Dionysus, is living it up in Tuscany. He invites her to a wild party at his palace where she runs smack-dab into her destiny, only to be separated once more by the Queen of Gorgons. While the sands of time run out, she travels to Hades to face the hounds of Hell in search of her love. Can she salvage her one true love, please the gods and save the lost souls of Salem?
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From tales of chivalrous knights to the barbarity of trial by ordeal, no era has been a greater source of awe, horror, and wonder than the Middle Ages. In handsomely crafted prose, and with the grace and authority of his extraordinary gift for narrative history, William Manchester leads us from a civilization tottering on the brink of collapse to the grandeur of its rebirth-the dense explosion of energy that spawned some of history's greatest poets, philosophers, painters, adventurers, and reformers, as well as some of its most spectacular villains- the Renaissance.It speaks to the failure of medieval Europe, writes popular historian William Manchester, that "in the year 1500, after a thousand years of neglect, the roads built by the Romans were still the best on the continent." European powers were so absorbed in destroying each other and in suppressing peasant revolts and religious reform that they never quite got around to realizing the possibilities of contemporary innovations in public health, civil engineering, and other peaceful pursuits. Instead, they waged war in faraway lands, created and lost fortunes, and squandered millions of lives. For all the wastefulness of medieval societies, however, Manchester notes, the era created the foundation for the extraordinary creative explosion of the Renaissance. Drawing on a cast of characters numbering in the hundreds, Manchester does a solid job of reconstructing the medieval world, although some scholars may disagree with his interpretations. Read more
